At 9:00 AM on May 26, 2025, at Parliament, Prasit Chawansakul, a list-based MP and deputy leader of the Pheu Thai Party, gave an interview regarding 89 senators who gathered to issue a statement criticizing Nattapong Ruangpanya-wit, a list-based senator and Pheu Thai Party leader, for alleged references to the "blue regime." Prasit used the opportunity to call on the public to monitor another group of over 130 senators whose names appear in Investigation Committee 16's report of the Election Commission (EC). That committee has voted to recommend that the EC refer the case to court to prosecute 229 people for senate vote-buying. This group includes over 130 senators plus a network of political party members, ministers, and national-level politicians—totaling over 90 additional individuals.

Prasit stated that the EC must make a decision within one month on whether to follow the investigation committee's recommendation and refer the case to court, or to dismiss and close it. The evidence in the committee's file includes numerous ballot numbers that are identical—contradicting mathematical probability—along with evidence of meetings, joint travel, financial trails, and hiring arrangements. This constitutes sufficiently strong evidence to warrant court review.

Comparing this to the red-number case 53/2568 from the past, the EC previously referred a case to court where the judge found guilt based solely on LINE chat messages between two individuals discussing vote trades. Given the far more substantial evidence in the current case, questions would arise if the EC decides not to refer it.

Should the EC vote against referral, it would invite accusations and prompt public questions about whether four of seven EC commissioners—who were endorsed by senators named in this case—are influencing the decision.

As actor Fluke Nuttacha approaches his 30th birthday, he's juggling a packed schedule with TV series, stage productions, and a master's degree program while still finding time to give back to fans.

The film "KHAO KALA," directed by Yangtirk Thanadej and produced by Toffee Shivadol, explores extraterrestrial beliefs and the mysteries of alien life in Southeast Asia's largest UFO hotspot—often referred to as Thailand's own Area 51. The film made a splash at the Cannes Film Festival and has already secured pre-sales in over 11 countries, with plans to tap into the international market further.

M STUDIO has partnered with Japanese powerhouse Toei Company and South Korean studio Showbox to develop the horror film "The Long Hair In The Attic," adapted from the works of manga master Junji Ito and directed by Sitthisiri Mongkolsiri. M STUDIO CEO Surachet Asvereunganan stated: "This marks another crucial step in expanding Thai cinema to the international stage. 'The Long Hair In The Attic' is currently in development, with production set to begin in 2026, and we're positioning it as an Asian Horror Tentpole that can reach audiences worldwide."

As he approaches his 30th birthday, actor Fluke Nuttacha Siripongsthorn is fully committed to his master's degree while managing a demanding work schedule. He shared: "Over the past period, I've been filming series and starting my master's program, so I've had to adapt, plan carefully, and manage my time for work commitments. This year I have the series 'Trouble Maker,' 'Your Third Series' from Domundi featuring Peter Pan Thassanaphon, a stage drama project in preparation, and new series in development. I'm turning 30 this year and stepping into adulthood. On May 30th, I'm inviting fans to participate in a merit-making ceremony at Pak Kret Children's Home, and on May 31st, there will be a fan meeting."

When asked about the atmosphere on set for the film "City Curse," actress Nam Taan Pichkanha shared her experience: "It was so much fun. We shot in northern Thailand, and it felt like everyone was going home. We explored unique northern cuisine and ate a lot—dishes like kaeng kradang. Most of the cast are northerners from different provinces: Sprite from Chiang Mai, Tee from Lampang, Tarn from Phrae, and Nam Wan from Chiang Rai. We exchanged cultures and bonded quickly because we went to cafés and explored Chiang Mai together."

Canva, the world's leading comprehensive visual communication platform, launches its major 'Canva – Anyone Can, Right?' campaign for the first time in Thailand, challenging the notion that creative work is limited to trained professionals or specialists. With just an idea, inspiration, and the right tools, anyone can create outstanding work to share, creating, remixing, and telling their own stories. The campaign reflects the belief that Thailand has talented storytellers throughout the country, and with the right tools, everyone can bring their creative ideas to life.

The advertisement opens in an agency office, where director Teo-Nopwon and his team are stuck in an endless cycle of revisions based on client feedback. When a rider enters and sees the chaos, he opens Canva and edits the work himself, followed by security guards and housemaids taking turns jumping in. The humorous, thoroughly Thai scene demonstrates just how easy video editing with Canva has become.

Phakphon Tangtongchin, Canva's Country Manager for Thailand, stated: "Thailand is one of the most creatively powerful communities in the region. Our culture of storytelling and digital expression continues to evolve, so it's incredibly exciting to collaborate with Teo-Nopwon, one of Thailand's most distinguished directors, to open a space for everyone to express their creative power. We believe creativity shouldn't be limited by experience, access, or technical skills. 'Canva – Anyone Can, Right?' proves that simplicity is a crucial turning point that sparks growth, creativity, and confidence."

In Thai indie cinema, director Teo-Nopwon Thamrongratnatid's name needs little introduction. The director behind memorable contemporary works from 'Freelance' to 'How to Dump' is now partnering with Canva for the first time, opening his personal film footage archive for Thai people nationwide to access. He invites everyone to take on the role of director, interpret the same footage from their own perspective, and create works to share on social media using Canva Video Editor and AI-powered design tools.

Teo-Nopwon revealed: "As a filmmaker and someone who's worked in moving image media for a long time, this campaign allowed me to connect with a younger generation and discover new technologies like Canva. Beyond the ease of use, it opened my eyes to how young people—or those not directly involved in filmmaking—approach editing. There's a real exchange happening here, and it makes me realize that editing truly has become something anyone can do now."

Video is increasingly playing a crucial role as a medium for creative expression, self-presentation, and business storytelling. This campaign reflects Canva's investment in removing barriers between people and their ideas, from Magic Video, Canva's AI-powered video editing tool, to Canva Offline, which enables creation even with limited connectivity. The goal is to allow everyone from beginners to professionals to communicate through visuals and turn their visions into reality.

Previously, Canva reinforced its commitment to supporting creative work by partnering with the Ministry of Education to expand free access to Canva for Education, covering over 6 million students and teachers nationwide.

Start creating today using footage from Teo-Nopwon and Canva's video templates at bit.ly/CanvaThailand.

At 9:45 a.m. on May 26, 2569, at Government House, Justice Minister Pol. Gen. Rutthapol Naruebet spoke about former Prime Minister Thaksin Shinawatra's expected request for a royal pardon and EM bracelet removal. He outlined three criteria for bracelet removal: medical illness, employment engagement, and lack of electricity or internet at the residence. However, Thaksin's case does not meet the first two criteria and appears unlikely to qualify for EM bracelet removal, as he fails to meet all three conditions. In the past two weeks, one case resulted in EM bracelet removal, which was related to employment circumstances.

A Facebook user posted in the "We Are Consumers" group about her experience renting a condominium to her daughter. She paid 12,000 baht monthly over two years with a 24,000 baht security deposit. When her daughter completed high school and moved out on May 11, 2026, the landlord submitted detailed repair charges totaling 30,616 baht. The mother questioned whether these charges were normal, noting that curtains showed no damage and the AC had been professionally cleaned in February 2026, yet the landlord insisted on another cleaning.

The repair bill breakdown included: - Curtain and bedding washing: 3,480 baht - Sofa and chair repairs: 6,000 baht - Under-sink cabinet repair: 4,200 baht - Room wall painting: 4,000 baht - AC cleaning (2 units): 1,000 baht - Room cleaning: 1,200 baht - Access card: 500 baht - Room key: 200 baht - Sink cabinet leg repair: 2,000 baht - Sink countertop repair: 4,500 baht - Washing machine rubber seal: 3,400 baht - Electricity surcharge: 136 baht - Total: 30,616 baht, requiring additional payment of 6,616 baht beyond the security deposit

Comments were unanimously critical. Landlords and tenants alike questioned the charges, with many noting that most items represent normal wear and tear rather than damage requiring repair. Several commenters, including self-identified property owners, said they would never charge such fees, noting that rental rates should account for equipment depreciation. Critics argued the prices represented replacement costs rather than repairs, and some recommended pursuing mediation through rental offices.